Chapter 8: Broadway and Musical Theater
Armitage, Merle, ed. George Gershwin. New York, 1938. Repr. 1995 with a new introduction by Edward Jablonski.
Bordman, Gerald. American Musical Revue. New York, 1985.
———. American Musical Theatre: A Chronicle. New York, 1978; expanded 1986; 2nd ed. 1992; 3rd ed. 2001.
Crawford, Richard. “George Gershwin’s ‘I Got Rhythm’ (1930).” In America’s Musical Landscape, 213–36. Berkeley, CA, 1993.
Engel, Lehman. The American Musical Theater. New York, 1967; rev. 1975.
Ewen, David. The Story of Jerome Kern. New York, 1953.
Fidelman, George M. First Lady of Song: Ella Fitzgerald for the Record. New York, 1994.
Fordin, Hugh. Getting to Know Him: A Biography of Oscar Hammerstein II. New York, 1977.
Freedland, Michael. Jerome Kern: A Biography. London, 1978.
Gershwin, George. “Making Music.” New York Sunday World Magazine, May 4, 1930.
———. “The Relation of Jazz to American Music.” In American Composers on American Music, edited by Henry Cowell. Palo Alto, CA, 1933.
Gershwin, Ira. “Words and Music.” New York Times, November 9, 1930.
Goldberg, Isaac. George Gershwin: A Study in American Music. New York, 1931; rev. and enlarged 2nd ed. 1958.
Harriman, Margaret Case. “Words and Music: Rodgers and Hart.” The New Yorker, May 28 and June 4, 1938, 9–23 and 21–5. Repr. in Take Them Up Tenderly. New York, 1944. Also in The Richard Rodgers Reader, edited by Geoffrey Block. New York, 2002, 53–68.
Kolodin, Irving. “Porgy and Bess: American Opera in the Theatre.” Theatre Arts Monthly 19 (1935): 853–65.
Knapp, Raymond. The American Musical and the Formation of National Identity. Princeton, NJ, 2005.
Krasker, Thomas, and Robert Kimball. Catalog of the American Musical: Musicals of Irving Berlin, George and Ira Gershwin, Cole Porter, Richard Rodgers and Lorenz Hart. Washington, DC, 1988.
Kreuger, Miles. Show Boat: The Story of a Classic American Musical. New York, 1977.
Lacombe, Alain. Ella Fitzgerald. Montpellier, France, 1989.
List, Kurt. “Jerome Kern and American Operetta.” Commentary 3 (1947): 433–41.
Marx, Samuel, and Jan Clayton. Rodgers and Hart: Bewitched, Bothered and Bedeviled. New York, 1976.
Mast, Gerald. Can’t Help Singin’: The American Musical on Stage and Screen. Woodstock, NY, 1987.
McBrien, William. Cole Porter: A Biography. New York, 1998.
Manuscripts. Richard Rodgers Collection. Library of Congress (Wc).
Mordden, Ethan. Sing for Your Supper: The Broadway Musical in the 1930s. New York, 2005.
Nicholson, Stuart. Ella Fitzgerald: The Complete Biography. New York, 2004.
Nolan, Frederick. The Sound of Their Music: The Story of Rodgers and Hammerstein. New York, 1978; rev. 2002.
Prigozy, Ruth, and Walter Raubicheck, eds. Going My Way: Bing Crosby and American Culture. Rochester, NY, 2007.
Rodgers, Richard. Musical Stages: An Autobiography. New York, 1975; repr. with an introduction by Mary Rodgers, New York, 1995, 2000.
———. “Opera and Broadway.” Opera News, February 25, 1961, 8–11. Repr. in The Richard Rodgers Reader, edited by Geoffrey Block. New York, 2002, 289–93.
Schwartz, Charles. Cole Porter. New York, 1977.
Shephard, Donald, and Robert F. Slatzer. Bing Crosby: The Hollow Man. New York, 1981.
Smith, Cecil. Musical Comedy in America. New York, 1950; 2nd ed. 1981.
Stempel, Larry. Showtime: A History of the Broadway Musical Theater. New York, 2010.
Suskin, Steven. Berlin, Kern, Rodgers, Hart, and Hammerstein: A Complete Song Catalogue. Jefferson, NC, 1990.
Swain, Joseph P. The Broadway Musical: A Critical and Musical Survey. New York, 1990; rev. and expanded, Lanham, MD, 2nd ed. 2002.
“The Boys from Columbia.” Time, September 26, 1938, 35–39. Repr. in The Richard Rodgers Reader, edited by Geoffrey Block. New York, 2002, 47–53.
Thompson, Charles. Bing: The Authorized Biography. New York, 1975.
Winstanley, Harry. George Gershwin: His Music and His Musicals. London, 1990.
Ziegfeld, Richard, and Paulette Ziegfeld. The Ziegfeld Touch. New York, 1993.