Chapter 7: Swing and Big Bands
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Collier, James Lincoln. Benny Goodman and the Swing Era. New York: Oxford University Press, 1989.
Dance, Stanley. The World of Count Basie. New York: Charles Scribner’s Sons, 1980.
———. The World of Duke Ellington. New York: Charles Scribner’s Sons, 1970.
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Gioia, Ted. The History of Jazz. New York: Oxford University Press, 2011.
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Kofsky, Frank. Black Nationalism and the Revolution in Music. New York: Pathfinder Press, 1970. Reprint as John Coltrane and the Jazz Revolution of the 1960s, 2nd ed., 1998.
Leonard, Neil. Jazz and the White Americans: The Acceptance of a New Art Form. Chicago: University of Chicago Press, 1962.
Ogren, Kathy J. The Jazz Revolution: Twenties America and the Meaning of Jazz. New York: Oxford University Press, 1989.
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Schuller, Gunther. Early Jazz: Its Roots and Musical Development. New York: Oxford University Press, 1968.
Simon, George T. The Big Bands. 4th ed. New York: Schirmer Books, 1982.
Stowe, David W. Swing Changes: Big-Band Jazz in New Deal America. Cambridge, MA: Harvard University Press, 1994.
Sudhalter, Richard M. Lost Chords: White Musicians and Their Contribution to Jazz, 1915–1945. New York: Oxford University Press, 1999.
Tucker, Mark, ed. The Duke Ellington Reader. New York: Oxford University Press, 1993.
Walser, Robert, ed. Keeping Time: Readings in Jazz History. 2nd ed. New York: Oxford University Press, 2013.
Whiteman, Paul, and Mary Margaret McBride. Jazz. New York: Da Capo Press, 1974